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Posted 20 hours ago

Keeley 'Loomer' Fuzz & Reverb Pedal

£9.9£99Clearance
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The KeeleyCompressor is probably the most famous pedal that Keeley have made. That’s saying something, because they'vebuilta lot of globally popular boxes of goodness. The Keeley Compressor was well-liked thanks to its subtle compression that maintained the tonal sweetnessof an electric guitar whilst implementing low noise floor.

Ebenfalls sehr gut ist die Möglichkeit, die Reihenfolge von Fuzz und Reverb zu vertauschen, ohne dafür alles neu zu verkabeln. Eccentric Belgian boutique builder Drolo designed the loop channel, presumably taking experience gained from their excellent Molecular Disruption Device and Stammen pedals. Although the teaser demos sound in the ballpark, to my ear the pedal is missing a lot. It’s a little too clean and surgical, and not as organic and alive as those original recordings. I have spent a long, long time listening to Loveless, which is probably why I am hyper-critical with attempts to achieve that hallmark MBV sound. It’s a cool pedal, though, and hopefully some players will use it in new and unusual ways.Soft Focus- Because all of the reverbs can go All-Wet by means of the Blend Control, this is a great approximation of the lush and surreal Yamaha FX500 patch. Soft Focus Reverb features a dense reverb with two delays in parallel (one set for 250ms, the other set for 380ms.) Muffdive... The Chase Bliss Mood is a supergroup, or at least a super-collaboration of the pedal world. The MIDI controls and 'brain' of the pedal come from Chase Bliss, with their usual pattern of complex control parameters and dip switches, but its 'heart' is two weirdo pedals in one, combining looping, reverb and delay.

I’m happy that Keeley has chosen My Bloody Valentine as part of their ‘soundalike’ series of pedals. It makes a change from effects based on boring old blues-based guitar legends. I was one of those kids that went out and bought the album on the day it was released and went to see them live on that tour. De soft focus geeft dat typisch slowdive geluid. Decay mocht langer , ik verleng die zelf met een extra reverb pedaal. Detailkritiek.Many high-end digital pedals within a series run on the same hardware and processor, for instance the BOSS 500 series or Strymon units. As these pedals can presumably run algorithms from other units in the line, players find themselves wondering why they don't.

Granted, it's likely more complex in reality than it seems on the outside, and there's of course a financial and practical incentive to want to divide the line-up by function. Also vorweg: Das Pedal ist sicherlich sehr speziell. Der Fuzz-Teil ist intuitiv und vielseitig; für mein Empfinden ist es nicht grade der sanfteste Fuzz, den ich je gespielt habe. Der Reverb-Teil hingegen ist kein Standart-Hall. Alle drei Einstellungen bringen besondere Hall-Settings mit, die in meinem Setup einen Spring-Reverb mit ihren ausgefallenen Sounds ergänzen.Robert Keeley used to be an amp repairman before getting involved in teaching analogue and digital electronics at Vatterott College in Oklahoma. This is where he methis first Keeley Electronics employees. More recently, the D&Mdrive took the guitar pedal world by storm. This is a signature drive pedal was made for our friends at That Pedal Show. But other than those two standout stompboxes, Keeley have branched out into a plethora of other effects that provide a wide variety of exciting sounds. Keeley are a true boutique effects company. And fortunately they cater to all your different needs! You can buy a Keeley pedal with the knowledge that it'll be built well, last forever and sound fantastic. Mijn eerste Keeley pedaal en ik ben onder de indruk. De geluiden zijn stuk voor stuk heel mooi en organisch. The second side is a wet channel, with reverb and delay effects courtesy of - well, also eccentric - US boutique builders Old Blood Noise Endeavors. With pedals in their line-up like the Rever, Dark Star, and Dweller, they know their way around designing exciting and unusual delay and reverb circuits.

The Loomer seeks to distill it all down to one little box by combining tonne of fuzz and an ocean of reverb with an envelope-controlled vibrato. The latter simulates the Jazzmaster tremelo arm being ‘strummed’ as you play. Decay times on the Loomer can be set to 150ms, 200ms, 250ms, 300ms, 350ms, 400ms, 450ms, and 500ms. Copycat? De Hall is een erg mooi, organische, donkere hall met een heel subtiele modulatie (octave up) die ver blijft van geforceerde shimmers. Alleen mocht die voor mij nog langer duren. De hall is echt heel hol en zweverig. Uniek geluid (jaren 90). Ik heb vergeleken met de Aurora-hall, en deze is speciaal. Because all of the reverbs can go All-Wet by means of the Blend Control, this is a great approximation of the Yamaha FX500 patch. Soft Focus Reverb features a dense reverb with two delays in parallel (one set for 250ms, the other set for 380ms.) Muffdive He realised that he could make a success of his pedal designs. It’s all in the history books from there on in because the company has just grown from strength to strength. The Keeley Range Because all of the reverbs can go All-Wet by means of the Blend Control, this is a great approximation of the Yamaha FX500 patch. Soft Focus Reverb features a dense reverb with two delays in parallel (one set for 250ms, the other set for 380ms.) MuffsideReverse- This is not a true reversed reverb as it reads through a delay line at various points in the delay while increasing in volume. This is where it gets really cool. The vibrato in this mode is envelope controlled. The range runs from 0 to 50ms of time shift. Tone control is loosely based on the Jazzmaster rhythm tone control with a low pass filter centered at 156.6Hz Strum hard and it pitch bends like you are playing the trem bar on a Jazzmaster or Jaguar! Combine the two for an unreal dual-guitar player effect! Ik wou in feite de Keeley Realiser (reverb deel) en dacht dat ik beter zelf voor de fuzz kon zorgen. Maar heel tevreden met de fuzz erbij (top fuzz!). De Fuzz is een voltreffer met de drie modes (full, flat en scoop). Mijn ehx big muff nano is overbodig geworden.

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